Eventually the development of the postscript language enabled me to do drawings that were much smoother, though still black and white.ĭaffodils. These also could be fitted together to make larger images. A couple of the many train engines and cars I drew. To make them even more useable, I kept each image to icon size (32 pixels square) or double icon (64 pixels square). Click 'Get 30 days free' to register your Clip Studio account and get 30 days free. (2) Log in with your Clip Studio account.
The "paper-doll" egyptians from MacTut were popular, so I went on to make dinosaurs in the same fashion. To access all the features of Clip Studio Paint, follow these steps: (1) Click Sign up to get your first 3 months free. One page with a few of the thousands of images I drew for the WetPaint clip art packages. MacTut was showcased in an interactive exhibit at the Science Museum in Massachusetts during their Rameses exhibition.ĭinosaurs. I included complete hieroglyphics fonts too. From MacTut, a sampling of Egyptian gods and godesses, paper-doll fashion.
One especially nice feature is that you can export all of your work in Plus to PDF, JPG, PNG, TIFF, BMP, and PSD file types in case you want to use other design programs as well. Use your browser's Back button to return here. Publisher Plus offers more than 170 document templates, more than 200 clip art images, and more than 200 backgrounds. (old, grainy, but fun to look back.)Ĭlick the links below to view other early bitmapped samples. Photos from MacWorld, Museum of Science, etc. The royalty checks continued for eight years. (It was also used by real live British egyptologists, in Egypt!) I even sold MacTut tee shirts. MacTut was featured in MacUser Magazine and at the Rameses exhibit at Boston's Museum of Science. We traveled to MacWorld Expos in San Francisco and Boston to promote sales.
The result of that evening's work was a contract with DublClick Software in California to produce the clip art packages MacTut and WetPaint, which sold world-wide. It was a challenge to create depth and shading. Above is the first drawing I made, my favorite subject, still life with fruit. On the Mac there were only black and white pixels to work with, on a tiny screen. Up to this time I had been drawing pictures and creating fonts by writing programs on the Bentley mainframe, controlling HP color plotters. He told me to skip class and try out the new MacPaint software and odd little input device - the Mouse. Robertson, brought one of the first Macintosh computers to his office. In early 1984 my professor and colleague at Bentley College, Dr.